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Era 1 (1963-1983) | Era 2 (2003-present...after a 20 year hiatus) | |
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Process driver | The "Principles" Late Era 1 - rudimentary card deck begins |
The "Principles" Enforced by CARD DECK - "Want to be surprised" |
Materials | Lightweight typing paper in the beginning, eventually became heavier poster paper Use of collage materials started at the end of Era 1; intended to represent physical features such as sand dunes |
Recycled and repurposed paper Expanded use of collage: - Reusable elements (e.g. city blocks) - More abstract elements - Collage shapes start as random; around 2013 become 1" squares |
Tools | Rapidograph pens, india ink Ballpoint pens Pencils "Copenhagen blue" and "apple green" colored pencils Watercolors and gouache |
Acrylic paints New types of pens (name) |
Scale | 1/4" = 200' | No change, but less relevant due to the more abstract composition that is used. |
Guest artists | None. | Guest artists send a panel, and it is added to the stack of blanks waiting to be used. |
Progression of work | Panels are stacked chronologically (oldest on top). Work on top one, then move it to the bottom of the stack. | Panels are stacked by coordinates, and work is done in that order. |
Data tracking | In a log book: - Populations - Football scores - Map language (translation matrix) - Railroad station and airport districts - Map dating (translation matrix) |
In a spreadsheet: - Populations - No more football scores - No more RR station and airport districts - Administrative info e.g. map sales and inventory (panels per exhibition set) - Map language (translation matrix) (abandoned later in Era 2) - Map dating (translation matrix) |
Reproductions - versioning | None, all work is done on a single master set of panels. | Color printer enables: - Making copies of panels to start a new generation - Employing reusable elements |
Exhibitions | None. | Exhibitions, typically in museums Originally used the original base map Later used just older generations |
The Principles | Amount of work done in a session is determined by personal schedule. Panel is moved to bottom of the stack at end of that session. | Each card has a large black or red number in an upper corner. A "task" is defined as the completion of the number of work units as specified by this number on the card that is drawn. A "work unit" is the number of one inch squares to be covered. The number drawn and the effort required can be highly variable, so a day's work could consist of several work units, or just a portion of one. Work on an incomplete work unit continues at the next work session. |
Standard playing card deck is used as a random number generator. This number defined how far down the stack to go to start the work session. Bypassed panels are moved to the bottom of the stack. | When a card is drawn you must follow the specific instructions on the card. | |
Always work clockwise around the perimeter of the map. | Work direction is determined by color of the drawn card - black is clockwise, red is counter-clockwise. | |
Every page has a "center" point, located at [XXXXX]. | Same | |
New pages are generated when a page is full, or when one is required to complete a section of art. | New pages are generated by drawing a "new page" card, or a new page is required to complete a section of art. | |
The "center" of the new page is the same as the parent. | Same. | |
A page is built beginning from the identified "center" point. | Same. | |
When a new page is added, the new page is of the same nature (urban, rural, water) as the parent. | When a new page is added, the new page will use the "color of the day". What defines that??? | |
The location of the new page is determined by placing a compass point in the "center" of the parent page and determining the closest edge of the map (this keeps the map roughly circular and growing generally equally in all directions). | Same. | |
Master map shows the locations of the panels based on chronology. | Master map shows the locations of the panels as defined by coordinates. | |
Colors used represent topography- altitude of land or or depth of water. Color choices had to follow the logic of the physical world. | Colors are more abstract and do not necessarily represent the physical world. Colors may be applied with either paint or markers, or by using collage. | |
New artwork is never applied on top of existing original artwork, it is only added to a new version of the page. | Same. |